• Home
  • Music
  • News Room
  • VIDEO
  • About the Band
  • Review by R. Scott Bolton/Rough Edge
  • Review by Maxxxwell Carlisle
  • Groupoem Documentary Featurette
  • Vancouver Weekly Article
  • Review by Rick Ecker/Screaming Guitars
  • Louder Than War Interview
  • Review by SVBterranean
  • Review by The Big Takover
  • Review by Alternative Nation
  • Review by Beat Media
  • Review by Heroicdose
  • Review by Johnny Taylor/Huffington Post
  • Review by L. Jubinkozivkovic
  • Review by Greg Piper
  • Review by Lords of Dogwood
  • Review by Sidestage Magazine
  • Contact
  • Review by Alternative Control

Groupoem

  • Home
  • Music
  • News Room
  • VIDEO
  • About the Band
  • Review by R. Scott Bolton/Rough Edge
  • Review by Maxxxwell Carlisle
  • Groupoem Documentary Featurette
  • Vancouver Weekly Article
  • Review by Rick Ecker/Screaming Guitars
  • Louder Than War Interview
  • Review by SVBterranean
  • Review by The Big Takover
  • Review by Alternative Nation
  • Review by Beat Media
  • Review by Heroicdose
  • Review by Johnny Taylor/Huffington Post
  • Review by L. Jubinkozivkovic
  • Review by Greg Piper
  • Review by Lords of Dogwood
  • Review by Sidestage Magazine
  • Contact
  • Review by Alternative Control

GROUPOEM BAND

Stay in touch with Groupoem's news!

GROUPOEM BAND

GROUPOEM BAND releases new album, DIRT CHURCH

Groupoem Band, with songwriter/guitarist Terry "Rubberstone" Robinson, singer/songwriter Marph "Mr. Science" Nobody, drummer Chris "Flea" Lee, and bass player Darren "DK" Katamay, recently released their new album titled, DIRT CHURCH.  The 19-song CD represents songs the band recorded in Toronto in their "early days" as well as new material recorded in Vancouver at The Farm and Greenhouse Studios over the past two years.  

The album is a powerhouse of rhythmic melodies and poetic lyrics, a combination that establishes Groupoem has a breakthrough and imaginative alternative rock band. 

Review by Tom Schulte

Dirt Church by Groupoem marks a return after a quarter century pause. A return that is a soundtrack for intemperance and a teeth-grinding catharsis that is “angst on fire” reaching a bone-tensing pitch on “Skulls”.

    Powered by Bandzoogle